2025《獨行》

《獨行》體現了量子力學與禪宗哲思的交會，融合了「疊加態」與「應無所住而生其心」的智慧。以細沙為媒材，象徵宇宙最基本的能量單位—「粒子」，同時也是《金剛經》中「微塵眾」的現代詮釋。
畫面由兩層結構組成：底層以浮雕手法刻寫《金剛經》四句偈「應無所住而生其心」，這些文字潛藏於畫布之內，平時難以察覺；表層則描繪了一位身披紅衣的僧人獨自行走，背景彷彿宇宙洪荒，散落的粒了營造出漂浮的氛圍。
當觀者移動視角，底層的經文會隨光線與角度變化若隱若現，如同量子疊加態中未被觀測時的不確定性—當你凝視僧人時，經文或許隱藏；當你轉換角度，文字才緩緩浮現。這種動態觀賞體驗，映射了佛學與量子物理的共同命題—「觀測改變實相」，及「無住」的覺性。
《獨行》不只是靜態的畫作，而是一場關於觀察者與被觀察者的對話，一場在科學與禪意之間流動的沉思。

Lone Walker embodies the intersection of quantum mechanics and Zen philosophy, merging the concept of "superposition" with the wisdom of "arising a mind that does not abide in anything." Utilizing fine sand as a medium, the work symbolizes the fundamental energy units of the universe—the "particles"—serving as a modern interpretation of the "multitudes of dust motes" described in the Diamond Sutra.

The composition is structured in two layers: the base layer features the four-line verse from the Diamond Sutra—"Arise a mind that does not abide in anything"—rendered in intaglio-relief. These characters are embedded within the canvas, remaining subtle and elusive to the casual observer. The surface layer depicts a solitary monk cloaked in crimson, walking through a primordial cosmic expanse, where scattered particles create an ethereal sense of suspension.
As the viewer shifts their perspective, the scriptures beneath flicker in and out of sight, mirroring the uncertainty of the quantum superposition state before observation. When you focus on the monk, the text may recede; when you change your angle, the characters slowly emerge. This dynamic viewing experience maps onto the shared proposition of Buddhism and quantum physics: that "observation alters reality," and reflects the enlightened state of "non-abiding."
Lone Walker is more than a static painting; it is a dialogue between the observer and the observed, a meditation flowing between the realms of science and Zen.